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The early part of 2013 also marked the anticipated Hollywood debuts of Korean directors Park Chan-wook (Stoker) and Kim Jee-woon (The Last Stand). A) operatives headed by Jeong Jin-soo (Han Suk-kyu, Villian and Widow). Pyo barely escapes with his life, but manages to elude Jeong, obsessed with bagging him.
Although not technically Korean films, these works are of great interest to many fans of Korean cinema, so we will be providing a separate page (coming soon) for reviews of these and other "not quite Korean" films. It appears that someone in the North Korean embassy has been selling secrets and is now preparing to defect to the South.
Theatrical admissions for local films in the first quarter of 2013 were the highest of any three-month period in Korean film history, thanks to hits like Ryoo Seung-wan's The Berlin File, gangster epic New World and especially the sentimental comic drama Miracle in Cell No. The latter film, featuring an ensemble cast led by RYU Seung-ryong, became the third best-selling Korean film in history with close to 13 million admissions.
Another film that drew much notice was the low-budget feature Jiseul, about 1948 massacre of civilians on the island of Jeju.
Shot in Jeju dialect, the exquisitely crafted film won the top prize in the World Dramatic Cinema competition at Sundance before opening in Korea in March.